this is my first time ever hearing $b on the radio and I was so confused at first - but yay for them

Looking for some good reccomendations to expand my music repertoire. Obviously I like the suicidal men, so if your on this sub too I'm probably fuckin with ur shit so just send me anything.

saturn sunrise 🔥🔥🔥

Can someone please elaborate on this WITH FACTS not what you believe or have heard 😭

I need facts not opinions 😭🫶

Scrim played this on IG live

Romulus would be mine fr

Thoughts on this beat i made?

I met BONES and Ruby at grey day and managed to get my bucket hat signed by them. No one saw BONES besides me and one other person. We were with Ruby and a few other fans and I was looking everywhere to see if I could find BONES when I see the dark vans from the LA show and he was in there. I went up to him and asked if it was okay and he was completely chill. Ruby was also very chill and politely asked to not be secretly filmed. Slayamurk(one of Ruby’s friends)also signed my bucket hat. For those of you who know Tom from Reaction Therapy, I ran into him after the show and were trying to find $crim and Ruby. All the artists from the show went back there and Xavier Wolf was even standing behind everyone but no one even noticed. I said wassup to him but he looked a little lost and ran to BONES’ tour bus. BONES also passed by everyone and no one did anything. I yelled him name and the golf cart went into the bus lot. Pretty crazy day. At the end Ruby and $crim came out of there bus to say wassup and gave some good high fives to everyone. $crim even gave his vape to a girl with his name on it. Sadly they didn’t sign things in the end because there was a bigger handful of people there.

As asked by someone in the comments on my last post, here is the Gwen Stefani Remix bro

I was going back through some older albums on Spotify and found high tides in the snakes best to find a song, then I found ugly, listened for a while and heard"fuck an introduction bitch you already know"I thought to myself that sound familiar. Then I realized they used the same sample of Ruby saying that, in Genesis. (Prolly not interesting to y'all but I just found this cool and wanted to share)

Seen them live a few times and I really liked them. Trying to get into them more. What’s everyone’s favorite songs? I’m interested in hearing the why too if anyone wants to share.

Edit:

yall are lame ass gatekeepers

My list:

1. Eulogy

2. Harvest Moon

3. $hrimp Poboy

4. Kamehameha - Kamikaze Remix

5. Bleach

What are songs with similar vibe

Most mentions of self harm and drug use have been slightly censored to avoid reddit filter

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I Want to Die in New Orleans, often shortened to IWTDINO (this doesn't feel shorter) has a strange history with its production. Originally, it was called "I Don't Want to Die in New Orleans" and was marketed as a kind of home run glory walk coming off of the success of Eternal Grey being a underground hit. During this period, the Boys would tour all over the world, making stops at major events like Lollapalooza, Splash!, and Woo Hah!

Shortly, less than a month before release in September, the name was announced changed. While we'll never know what the "original" album sounded like, I suspect it always sounded like...this, maybe with some production changes. The most infamous detail of this album is Scrims addiction reaching its worse during the midst of 2017. During this period of time, details came out mostly on twitter and instagram that most of the delay with the album was related to Slick being unable to record due to being high on H*roin, and "Many Downers and Uppers". Based on his verses, I imagine he's referencing P*rcocet, Xa*ax, Coc*ine, and Adderal.

Ruby would distance himself, and this culminated in a blow up post album release where Slick would go into a period of psychosis, "retired", and would eventually be reached out to by the managers of G59, his Family, Ruby, and many others. This would mark one of the tipping points that would cause him to chase sobriety in Feburary of the following year.

So which such a sloppy release attached to a horrible work cycle, how did it work? How did two motherfuckers, from New Orleans, change music?

King Tulip - Scrims verse is the most important here, and honestly the most forboding. He has this bar I really like about shooting the stars into his veins, and then uses the rest of his verse to "come down" off of that high. He describes the paranoia that follows him constantly, how the money feels worthless if its just spent on more drugs, and finally begs to sleep as he's kept awake through the night. The interlude here references a shooting from 2016, dating the track. It took 2 years to get past King Tulip. Its also important to note King Tulips are a kind of flower, nearly identical to the Opium Poppy.

Bring Out Your Dead - This is a continuation of the themes of King Tulip. This is the first mention on this album of Scrims "voices" relating to his Psychosis. These are also referenced all over 2015s "My Liver will handle what my Heart can't." and also the 2018 feature "CUTTHROAT SMILE". I've always suspected this is a played up agment of Slicks paranoia he references constantly. The idea that people are talking about you so much that you can literally hear it. Ruby has a really fun bar here about smoking a blunt so quickly its like doing a line. There's also something really interesting about this beat, where you can almost hear a conveyor belt or like a film reel playing underneath the drums.

Nicotine Patches - No more fun. After two tracks of mania, Nic sinks us back into cold reality. Scrim leads again with a verse referencing his idols "dying" around him. There's nods to both Lil Wayne and Juveline here. Ruby follows up with a verse asking YOU to remember him, forever. This is a topic Ruby likes to rap about a lot, and I imagine it is a worry he has. In a game polluted with hundreds of thousands of legends, all that are constantly being forgotten, its only natural to want to live forever in peoples minds.

10,000 Degrees - This tracks title is a reference to Lil Waynes 500 Degreez and Juvelines 400 Degrees. Ruby uses his verse here to champion and almost parody the duos way of speaking of s*icide, looking at it less like speaking from their own lives and instead drawing a picture of him preaching the word to a crowd. Scrims verse is a bit of a trip, with him initally joking on his "yung christ" persona, comparing his "death" to his falling out with his father. From here the verse tumbles, until he's just muttering about "growing up a fuckup"

122 Days - This can be seen as the "transition" point between wanting not and wanting TO die in New Orleans. It starts as a flex, Ruby describing the duo as Viceroys and bragging about their world tours....and then it starts to break down. I love the three moments of Ruby harmonizing with himself, it gives this trippy vibe the album already embraces gleefully well. Following after is one of the saddest verses I've ever heard from Slick, with him ending it begging to go back to square one and "talk to his cousin like he's actually his cousin".

Phanton Menace - I like to call these next three tracks the "Speedball Trio". They don't talk about much, moreso helping us get out of the last three depressive episodes and prepare us for the second half of the record. Ruby has a GREAT verse here, maybe one of my favorites he's ever done. Scrim does his best impression of Slug Christ on this track. There's a good line here about being surrounded by people you've "never met".

Krewe Du Vieux (Comedy & Tragedy) - Thanks for the translation Ruby. Ruby has a fantastic opening verse here, as long as you ignore the ad lib of him moaning really loudly. Scrim has a good bar here about "sitting alone on the throne of illusion" referencing how fame is really just a zeitgeist that isolates people.

WAR TIME ALL THE TIME - Scrims awake! I've always seen this track as the evolution of "I want to believe." This is also the first(?) time I can remember Ruby doing the da da da da flow.

Coma. - And if WTATT is a evolution of I Want to Believe, Coma rides above O'Pana just the same. This track encompasses both sides of the album, Ruby brings a fuckload of energy in his verse and rides the sample wonderfully. Scrim then sinks the BPM on the track, with the sample acting more as a bridge inbetween his verse. I've always loved the imagery of Scrim being dragged through hell hearing other addicts screaming for help. It paints this idea of a captive helplessness, if he can't do it, how can he help others?

Long Gone (Save me From This Hell.) - Ruby opens the track talking about this dream he often has of raising a toast to his dead friends, taking a degree of pride in relapsing knowing it disappoints them. Scrim encompasses the "Long Gone" side of this track, talking about how far off the path he's gone losing his family and talking in depth of killing himself to cap it off.

Meet MR.NICEGUY - The Lead Single for the Album, this has another fun harmonizing moment on the bridge. Scrim SOUNDS fucked up, his verse covered in references to Lil Peep and pill use. Its also believed Bones was meant to be on this track as a third verse, possibly being why both verses are shorter than usual.

Carrolton - The precursor to Avalon, this entire track paints a bloody red image of New Orleans, and I don't think its any coincidence this is the only track off the album Ruby and Scrim chose to annotate themselves. I'd recommend reading their genius segment here, its a very literal explanation of both verses and me paraphrasing it is telephone effect asf. CIGARETTE WET, BUMPING BOOSIE BADASS.

FUCK The Industry - I love the opening line for this song making fun of the next one literally being "I No Longer Fear the Razor Guarding my Heel." its very tongue in cheek. Rubys verse ends on this very sour note with him half singing about needles numbing him up. Scrims verse bounces between him flexing his guns and people around him, and also bitching about them bitching at him not to kill himself.

I No Longer Fear the Razor Guarding my Heel IV. - This track is a trip, and one of the longest songs if not the longest they've made, so I'll break this down into verses

1st Verse(Ruby): This leads off the last line of the last Razor installment, flipping the analogy of Ruby having holes in his pockets (mocking their drug use being expensive) to now them having so much money that even with the holes in mind, he stills finds a few crumpled hundreds every now and again. This whole verse is a flex, and one he's earned.

2nd Verse(Scrim): While Ruby flexes the material possessions hes gained from the fame, Scrim talks about how he's still upset with everything, he ends this verse by painting the image of them off benzos in a benz. Doesn't matter what you have, when your brain is the problem.

3rd Verse(Scrim): Scrim raps about his drug use, not much to mention there, but there is a very interesting line near the end of his verse here. "Death could be right in front of you, but you wouldn't recognize her". I've always taken this as him acknowledging that his drug use can kill him, but that he doesn't "recognize it". Not out of ignorance, perhaps just lack of care.

4th Verse (Ruby): Ruby opens on a similiar note, comparing their use to digging your own grave. He leads this into a question about living your life with no name. This doesn't really apply to the boys, considering their fame at this point, so I believe its more of a question to the audience. There are obviously millions of addicts who aren't playing around with silly money and tour dates, many who listen to the boys. In a way, it can be taken as a warning. If they look on the verge, as people you don't really know and can only observe from afar, then imagine what YOU look like doing the same.

5th Verse(Ruby): This calls back to their origin point from the KYS tapes being based on Lil Waynes Cash Money tapes.

6th Verse(Scrim): This is the worst Scrim sounds on the entire album. He is barely audible and mumbles his verse, talking about how they're "still losing" despite having made it this far. His last line is a perfect mirror to King Tulips intro, describing them as leaders of the movement, but still losers.

I want to Die in New Orleans is strange, because its an album that should have failed. The inital reviews of the album were incredibly mixed, the drama right after showed a level of regret from the duo themselves, and there are countless mistakes that can be pointed out if you look for them. But it works. It works because its the most geniune representation of the scene in 2018. A scene where artists like Peep and Asap Yams died from drug use, where artists from the cloud rap scene were bouncing in and out of rehab. This album shows it what it really is, an ugly cycle of sadness and disease, of death. And I don't think it meant to initially. It just became that, because they couldn't hide it. It is the most $uicide album there is, and maybe Scrim hating it is proof of that.

If you're still there, keep pushing on, the finish line is close.

Kicked the oxy, kicked the syrup, kicked dilaudid, but still on the 7oh 🫩🫩

my favorite part of this project is scrims verse on and so it was where he said “see i never looked sober just looked over how do you kill a rat turn to a cobra got no love for a plaintiff sold my soul to satan purple always on me like i was drafted by the ravens”

Imo the second verse on this song is one of if not his best ever

In HiMelody, I went to the $uicideboy$, I explored all their discography, then I found this strange version that has another verse.

I like learning new songs and trying to fully get them down. My favorite song is diemonds but I'm down to learn any from $B. I have most of their songs in my playlist, but I want some suggestions on which ones are fun to learn. It can be any album and any song by them😎 I just wanna know y'all's top 5-10 songs and which ones are fun to blast‼️

I still move them towards BOY$ to the front, I already got the album if you don’t there’s one here. I snagged the Wu-Tang, and Metallica.

To me, it sounds like Pouya but im not sure