To this day, i can’t find their appearance in that movie. Maybe in the third photo

Started watching this show recently (pretty good btw, a bit like the X-Files with a science fiction emphasis), and low and behold he has a part as a teenage boy begging for change at the start of an episode then being traumatized after unknowingly getting on train full of dead people and riding with them, which he is forced to relive more than once via time traveling shenanigans.

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For me this is the most memorable death in the series, probably because of how likable this character is, it doesn’t rely on gore, it’s the only death by strangulation in the series, and it’s just sad and depressing, he dies alone unable to call for help, No friends there to witness, and most upsetting, everyone in the movie after this thinks he commits suicide out of depression when he was actually handing the situation pretty maturely for a high school kid.

Theres something really unsettling about that. I’d never want to die in a way that made people think I committed suicide

And also This was by far the most supernatural of all the deaths in the series. That substance that comes out of the sink clearly moves unnaturally and there is no explanation for it. Especially at the end of the vid when it mysteriously flows back into the toilet without a trace. Creepy.

I miss Alex and Clear :(

This ad promotes the VHS and DVD release of Final Destination, which came out on September 26, 2000. Tagline “Death doesn’t take no for an answer” 

I don't know if this has already been figured out, but could it be that this gravestone in FD5 belongs to Nora's husband?

Just imagine him covering his tracks during the ashes deaths or Olivia's.

My favorite pre-death escalation scene is Evan's. I like how everything starts slowly, then turns into a fire, and finally ends with an explosion. Also, as a metal and rock fan, I think Incubus – Vitamin fits this scene perfectly and does a great job of capturing Evan's hopeless situation

This was undoubtledy the best scene.

Hello Everyone!

So I have a theory that has been on my mind for quite some time now. You see, throughout the franchise we have had numerous characters try to figure out any possible ways to permanently beat Death. So far, Willliam Bludworth (RIP) has brought up to two methods that were somewhat proved successful, the "Kill or Be Killed" method (introduced in FD5) and the "New Life" method (introduced in FD2). But what if there was another way that even Bludworth, a highly experienced man who studied Death his entire life, completely missed out on but just so happens that a high school teenager managed to figure it out and it just went passed our heads?

In FD3, Ian McKinley proposed a theory to Wendy and Kevin during the Warehouse scene, where he explains Issac Newton's Third Law of Motion that states "for every action force, there is an equal and opposite reaction force." This means whenever one object exerts a force on another, the second object exerts a force of equal magnitude but in the opposite direction on the first. A simple example of this would be placing a book on a table. The book’s weight pushes down on the table (action), and the table pushes up with a normal force (opposite reaction). Ian then comes to the conclusion that if Death were coming after them in a specific order of how they were originally meant to die thus acting like a "chain", then the only way to break it is to have someone die out of order. He basically suggests that Wendy should kill herself (action) in order to save everyone else (opposite reaction).

Obviously, this guy was just saying this to be edgy and a jerk, but what if he was on to something? What if this was secretly the third way to cheat Death again? That's why I will provide two pieces of evidence to help support this theory, as well as a counterargument. Although each of them comes from alternate endings, so they are definitely not canon but it's still important to point them out.

Evidence 1: In the alternate ending of FD1, Clear and Carter survive after Alex sacrifices himself to save Clear and she ends up giving birth to his baby. Now, this ending suggests that Clear and Carter survived because of the method that giving birth to a child that was never meant to exist breaks the chain. But since this theory was proven false in FD: Bloodlines (ugh), the method is now deemed non-effective. However, what if it actually wasn't the birth of Alex's baby that saved Clear and Carter but rather Alex's death that did? Now, I think this is just a matter of perfect timing. Even though Alex was next after Clear, he technically died out of order when the car exploded to save Clear since it was supposed to kill her and not him. It would be pretty cool to see if Clear, Carter, and the baby were still alive because this theory was proven correct.

Evidence 2: In the "Choose Your Fate" special feature of FD3, one of the alternate endings you get comes right before Ian's cherry picker death where you are giving the decision to make him go either right or left. If right, Ian gets bisected, flips off Wendy, and the movie continues as normal, but if left, he gets completely crushed and the movie ends with Wendy, Kevin, and Julie alive and well. So, let's assume that the cherry picker was supposed to be for Wendy but killed Ian instead which wouldn't have happened if Wendy and Kevin didn't save him from getting impaled by the fence wood like he was supposed to. Now, you may be thinking, "Why does the "Left" ending guarantee's Wendy, Kevin, and Julie's survival, but not the "Right" ending?" Well, this might be a matter of perfect timing yet again, hear me out. Remember, by the time Kevin saves Julie and Wendy saves Kevin, the death order now goes as follows:

Wendy -> Ian -> Julie -> Kevin

In the "right" ending, after Ian gets bisected, he still has a few seconds of life left to flip off Wendy before dying of blood loss. Now, I think that Death (being the slick mofo that he is) quickly circled back to Ian's turn before he eventually passes. Which now the order goes as follows:

Ian -> Julie -> Kevin -> Wendy

I think this is why the "Left" ending ended with Wendy, Kevin, and Julie surviving because Ian died instantly, much like Alex dying instantly to the car explosion to save Clear. And mind you, this ending is actually used in the FD3 novelization to further prove my point. So, I guess you can say that Ian got an ironic death this way since it did help proved his theory correct.

Counterargument: Now, I wouldn't be a good theorist if I didn't provide a piece of evidence to contradict what I have explained. In the alternate ending of FD4, Nick tries doing the same thing by sacrificing himself to prevent the mall disaster and save everyone, including Lori and Janet. He throws himself out of a window while carrying a propane tank and lands on a car, killing himself and causing an explosion to alert a fire emergency and evacuate everyone. But Lori and Janet still die after being crushed by a falling A/C unit that was being carried on a crane. This ending proves the theory doesn't work.

In conclusion, this is something that I have thoroughly thought about for quite some time in case you haven't notice. I'm a huge fan of the franchise and I have been meaning to tell other fans about this. I have also read another Reddit post of here that suggested how Death doesn't really crave a body count, it craves order and wants to act like a God, which could also further prove my point.

So, what do you guys think? Could the theory be proven correct despite most of my evidence be considered non-canon? Would you like to see this be explored much further in a future movie? And is there anything I might have missed regarding this? Let me know.

Rewatching Bloodlines I just realized that Iris and Paul try to check in they were not even on the guest list, so they were never supposed to be there….so did they doom/curse themselves by staying at Skyview? Which would presumably still have collapsed but Iris and Paul would not be apart of the list and lived long lives without dooming the rest of the family?

The ending was a middle finger.

It's premise contradicts the lore rules.

The fact that both Eric and the other brother died made no sense, 'it gets messy' is not a good enough reason to break the rules.

Tony Todd's farewell was forced and incredibly hypocritical considering that this franchise always punishes people for enjoying life.

Speaking of which, they de-mystified the only recurring and marketable character.

Fighting and failing for the right to exist is mean-spirited even for this series standards.

Honestly my big problem is that with all these points if there was any of these movies that needed a bit of respite it's this one. A family bloodline ceasing to exist is not a good ending and it feels like TT's message just doesn't work in context.

Things I did like: the opening disaster, the garden party and the MRI machine even though the death seconds later was incredibly lame.

I’m curious what everyone’s favorite death scene is from all of the movies, or what death scenes stuck with you? I’ve seen the movies hundreds of times, but the two that always stuck with me is the pool scene from the fourth movie, and the gymnastics scene from the fifth. What about yall??

Source.

I see some tiktok about the leak of fd7 idk if its true but, the premonition takes place in the zoo with tunnel aquarium, its said that there will be chaos everywhere animals being released from there cage because of system error and animal will wreak havoc the zoo causing countless death but it said that the animal will not directly kill them ,like mauling , biting , etc. but will just indirectly causing there deaths because the animals are scared .

I don't like the concept of this because it will involve animals where we will antagonize them , just like in the Jaw movie , I'd rather prefer a Rave party , concert, wedding , club , cable cars.

What are your thoughts about this?

This here is my fan made lore of the entire franchise not just asking how but why Death starts collecting souls. Note that this is a first draft please let me know any questions you have or changes I can make

Part I — Before Humanity: The Universal Spirits
Before humanity opened its eyes, before the first kingdom rose from dust, there existed a realm beyond the mortal plane known as the Crystal Realm. It was a sacred dimension of light, memory, and balance, home to ancient beings called the Universal Spirits, or USs.
At the center of this realm stood the Great Crystal, the source of power that sustained the realm and gave the Universal Spirits their authority over existence. No mortal was allowed to touch it. Only the USs could approach it, for within the Crystal rested the power to shape life, death, time, and fate.

Among the Universal Spirits were two beings destined to shape all of creation: Life, the Guardian of Hope, and Death, the Collector of Souls and Keeper of Cycles.
Death was not always cruel. As a child among the USs, he was feared and rejected. Everything he touched withered. Flowers died in his hands. Living things faded around him. The others saw him as a curse, a bringer of bad luck, and they cast him aside.
Then came Life.

Life did not fear him. When Death wilted a flower, Life restored it. When others mocked Death, Life stood beside him. Life taught Death that his power did not have to be hatred. Death could remind mortals that life was precious, fragile, and not to be wasted.
For a time, Life and Death were friends.
Then came Her.

Her true name was lost to time. Some called her She. Others called her Her. Life offered her wisdom. Death offered her power. But she chose neither. Instead, she chose humanity. She believed mortals were the truest balance, because they carried both life and death within them.

Then, one day, she vanished.
Life mourned. Death hardened.

Their friendship broke.

Death, consumed by grief and rejection, became twisted. He began taking lives not only to preserve balance, but to prove that nothing could escape him. Life, unable to stop him directly, created a secret relic: the Orb of Premonition.

Through this orb, Life would warn mortals before disaster struck.
And from that act, the Woven were born.

Part II — The First Woven
Long ago, in the earliest days of humanity, there lived an ancient tribe known as the Woven. They were the first mortals touched by Life’s Orb of Premonition. They could see terrible fates before they happened and warn others of disasters yet to come.

At first, they were seen as gifted. Then they became feared.

Their visions were too dark. Their warnings too constant. Civilizations grew tired of them and accused them of inviting doom. The Woven were exiled from every prehistoric society. To survive, they split apart, changed names, hid their powers, and blended into ancient civilizations.

Centuries passed.

Egyptian scrolls later revealed that the Woven had not vanished. Their descendants continued to be born across history. Those who inherited visions became known as the Children of the Woven.

The first recorded premonition occurred in ancient Babylon. A young man, whose name was lost to time, saw a vision of an escaped gaur rampaging through a marketplace and killing many. He warned the people. Most mocked him, but a handful listened and survived.
They became the Survivors of the Marketplace.
The king heard of the young man’s gift and appointed him as his visionary. But Death was watching. One by one, the Survivors were reclaimed. Eventually, the young man and the king drowned at sea.

This became the first known cycle:
- A Child of the Woven sees disaster.
- Survivors escape.
- Death returns to claim them.

Part III — The Woven Through History
The pattern repeated across ages.

In Rome, one of Julius Caesar’s friends foresaw the emperor’s assassination. He begged Caesar to flee, but Death’s design prevailed. The daggers struck, and history bled forward.

During the Burning of Troy, a seer warned others before the city fell to flame. Some escaped, only to perish later in strange accidents. During the Great Fire of Rome, witnesses claimed a shadow moved between burning homes. In Pompeii, a child warned neighbors before Vesuvius erupted. A few survived, but Death followed them across the empire.

During the Black Death, one Child of the Woven dreamed of breathless shadows stealing life from sleeping villagers. Those who escaped the first wave of plague died in the second. During the Fall of Constantinople, a monk foresaw the city walls breaking and saved refugees, only for Death to hunt them during exile.
In the Middle Ages, the Children of the Woven were branded witches. Many were burned at the stake. Records became sparse. The bloodline faded into myth.
Yet it never disappeared.

The Spanish Armada, the London Plague, the Salem Witch Trials, the French Revolution, the Titanic, and Hiroshima all carried whispers of Woven visions. In every age, Life warned. In every age, Death corrected.

Part IV — Death’s Hidden Legion
Death did not work alone.

To reclaim Survivors, he created a hidden squadron of smaller beings known as the Deathlings. They were shorter than Death, but equally cruel. Each Deathling carried a Talisman, a relic that allowed it to open portals between Death’s world and the mortal world.
The Deathlings were ordered to remain hidden from Life.
Their purpose was simple: collect the souls of Survivors who escaped Death’s planned disasters and bring them to Death’s realm.

Each Deathling had its own method of execution.

The Red Deathling was born from the flames of the Netherworld. It hunted through fire, smoke, burning buildings, explosions, and infernos. Its presence was felt in Troy, Rome, London, Chicago, and later in the tanning bed inferno that killed Ashley and Ashlyn.

The Orange Deathling was the smallest and most childlike. Born in the 19th century from the laughter of evil clown criminals, it turned death into games. It toyed with victims through cruel accidents, traps, and playful misdirection.

The Yellow Deathling was the largest, twice or three times the size of a grown male gorilla. Born from the deaths of soldiers and weapons of war, it crushed its victims under glass, statues, machinery, rubble, and collapsing structures. It mocked them as weak before claiming them.

And then there was the Purple Deathling.
Purple was special. It did not hunt ordinary Survivors. It targeted the Children of the Woven and their closest followers. It was Death’s final claim, the last line of enforcement when a visionary became too dangerous.
Purple successfully claimed Alex, Wendy, and Nick.
But it failed to claim Kimberly.

And that failure changed everything.

Part V — The Crystal Realm and Death’s Dominion
Beyond the mortal world, the Crystal Realm remained hidden. Mortals could not reach it by choice. A rare few who entered did not appear inside the realm immediately. Instead, they awoke in a labyrinth shaped by their own soul.

This labyrinth forced them to confront their weaknesses, guilt, fears, regrets, and inner demons. Only after passing through the labyrinth could they enter the Crystal Realm.

Ancient scrolls claimed that Children of the Woven had a higher chance of entering this realm than ordinary mortals.

At the center stood the Great Crystal.

Death wanted it.

Using corrupted fragments of the Crystal’s power, Death created a sub-dimension beneath the Crystal Realm called Death’s Dominion. It was his own twisted kingdom, ruled from a dark castle. His plan was not merely to send souls to the afterlife. He wanted to collect them, imprison them, clone them, and build an army from the fallen.

When Survivors died, Deathlings carried their souls into Death’s Dominion and placed them in dungeon chambers beneath the castle. These chambers could reincarnate fallen bodies, create living corpses, and trap original souls inside crystalline prisons.

Death planned to grow his army until the day he could invade the Crystal Realm and seize the Great Crystal completely.

But he reserved a special punishment for Iris Campbell.
Iris was chained deeper than the others, far below the soul chambers. Death wanted her to watch her family die one by one, her bloodline reduced to ash.

Part VI — The Modern Woven
In 1969, the Woven returned to history through Iris Campbell.

Iris had a vision of the Sky View tower collapsing. She warned the people and saved a handful of lives. They became the Survivors of the Tower.

Among them was a child named William Bludworth.
Bludworth grew up to become a mortician. He studied ancient scrolls about the Universal Spirits, the Woven, Life, Death, and the prophecy of Her. He learned that Death had a design, that Survivors were reclaimed in patterns, and that only the return of Her could end the conflict.

The prophecy said:
“Whose name for Her is present, and whose appearance revealed, will end the conflict between Life and Death.”
Bludworth spent his life warning Survivors, but he never told them everything.

Then came the modern Children of the Woven.

-Sam saw the bridge collapse.
-Alex saw Flight 180 explode.
-Kimberly saw the highway disaster.
-Wendy saw the roller coaster collapse.
-Nick saw the racetrack disaster.

Each one was touched by Life’s warning.
Each one created Survivors.
Each one drew Death’s attention.

Part VII — Kimberly’s Fracture
Kimberly was different.

After surviving the Route 23 disaster, she discovered a method that seemed to break Death’s cycle: dying and being revived. Through this, she escaped Death’s design.

Life saw Kimberly as proof that the cycle was not absolute.

Death saw her as humiliation.

The Purple Deathling failed to claim her. This failure enraged Death and forced him to evolve. From that point onward, Death became more aggressive, more adaptive, and more aware of Life’s tampering with the Great Crystal.

Kimberly did not destroy Death.

But she exposed a weakness.

And Death never forgot.

This is why later attempts to copy Kimberly’s method failed. Stefani tried it. Erik and Bobby tried it. But Death had already learned. He no longer allowed the same loophole twice.

Part VIII — Crystal Fractures
Whenever Life touched the Great Crystal to alter fate, reality created unstable branches known as Crystal Fractures.

These fractures explain alternate timelines, deleted scenes, and “Choose Your Fate” outcomes.

In one fracture, Alex died saving Clear, and Clear gave birth to Chance. In another, Wendy left the roller coaster before boarding, saving Jason and Carrie, while the others died. In another, Ashlyn escaped the tanning bed, only for both girls to die by electrocution. In another, Frankie survived and was arrested instead of being decapitated.

These were not true timelines.

They were unstable possibilities created by Life’s interference.

But Death always knew when the Crystal was touched. Every fracture alerted him. Every rewrite made reality weaker. Every second chance taught Death how to adapt.

Life created possibility.
Death converted it back into inevitability.

Part IX — The Flight 180 Convergence
The end of the bridge disaster led Sam and Molly onto Flight 180.

There, Sam saw Alex panicking as Alex’s own premonition began. Two Sons of the Woven had crossed paths in the same disaster.

This was a rare Crystal convergence.

Life tried to strengthen Alex’s vision and perhaps warn Sam through spiritual resonance. Sam noticed Alex, but too late. Alex and his group escaped. Sam and Molly stayed onboard and died in the explosion.

Death dismissed the Purple Deathling from claiming Sam because Alex had become Life’s focus.

Sam’s cycle ended inside Alex’s beginning.

Flight 180 became one of the most important fracture points in modern Woven history.

Part X — Wendy and Nick
After Kimberly’s survival, Death became more aggressive.

Life responded by helping Wendy and Nick twice each.
Wendy received her first vision at the roller coaster and another at the subway. Her visions were tied to photographs, symbols, and distorted omens — signs of Crystal Fractures bleeding into reality. But Death stayed ahead. Wendy, Kevin, and Julie were ultimately claimed.
Nick received a vision at the racetrack and later another at the shopping mall. Unlike Wendy, Nick successfully prevented the mall explosion and saved many people. For a moment, Life may have believed Nick could become another Kimberly.

But Death adapted again.

Nick, Lori, and Janet were claimed soon after.
The message was clear: Life could delay Death, but Death was learning faster.

Part XI — Bloodlines
By the time of Bloodlines, Death’s hatred had become personal.

The Deathlings did not handle Iris’s family. Death claimed that task himself.

Iris had survived for fifty-five years after the Sky View disaster. She had hidden, studied, protected her bloodline, and warned Stefani. But Death finally found her.

Before her death, Iris told Stefani the truth.
Stefani was not a direct Child of the Woven like Iris. She was the granddaughter of one — a descendant carrying echoes of the Woven power rather than its full strength. Her nightmares were ancestral memories, fragments of Iris’s vision bleeding through the bloodline.

Death punished Iris by targeting her family one by one.
Erik, being adopted, was not part of the true bloodline. His near-death experiences were warnings, not direct claims. Death warned him not to interfere. But when Erik and Bobby tried to copy Kimberly’s death-and-revival method, Death acted brutally. Erik was claimed by the MRI scanner. Bobby was claimed soon after.

Stefani tried the same method Kimberly used. She drowned and was revived by Charlie. For a moment, they believed they had won.

But Death had learned.

Stefani and Charlie were crushed by logs, echoing the very disaster Kimberly escaped in Final Destination 2. It was Death’s symbolic correction — the wound Kimberly created finally answered through Iris’s bloodline.

Death reduced Iris’s family to ash.

But the cycle still did not end.

Part XII — The Final Prophecy
Despite everything, Life continued to resist.
He knew Death could not be destroyed. Death was necessary. Without Death, balance would collapse. The goal was never to kill Death.

The goal was to restore him.

The ancient scrolls said the conflict would end only when Her returned, when her appearance was revealed and her true name was spoken.

Her was the missing balance between Life and Death.
Life preserved hope.

Death enforced endings.

But Her understood humanity.

She chose mortals because mortals carried both beginning and ending inside them.

Until she is found, Death will remain corrupted. Life will continue interfering. The Great Crystal will continue fracturing. The Woven bloodline will continue producing visions. Survivors will continue escaping. Deathlings will continue collecting.

And Death’s Dominion will continue growing beneath the Crystal Realm.

The story does not end with Death’s defeat.
It ends when Death remembers who he was before grief consumed him.

It ends when Life stops running.

It ends when Her true name is spoken.

And when that day comes, the final design will break.

Not by force.

But by remembrance.

Basically, My theory is that Nick the protagonist of FD4 was never meant to die at McKinley speedway. Because at the end of his premonition, You can see that he is still breathing. Which leads me to believe he didn't have a vision of him experiencing his death but rather a vision of him experiencing a near-death experience. Because the pole that stabs him in the middle doesn't seem to hit any vital organs with its placement, Obviously it's a horrible wound but it looks survivable. This would also be in line with the second premonition about the mall where he isn't shown dead, This also means that at the end of the movie when he gets hit against the wall of the coffee shop by a truck. It's again, Another near-death experience because it just looks like his jaw was broken, he broke a few ribs, and he lost a few teeth, And like the first premonition. It's brutal but survivable.

Think about it, In all of the other films the protagonists literally see their own deaths, Alex is burnt, Kimberly is ran over, Wendy falls to her death, Sam Gets split in two, Iris is stabbed through the mouth. So why would they go out of their way to show Nick breathing until the very last second? the injury placement matters too. The bar goes through the torso, but in the film it avoids the kind of instant-kill framing the films usually use in the premonitions. Compare that to the unmistakable deaths in the same sequence people are crushed, burned, exploded, decapitated. Nick’s injury is surprisingly not as brutal.

Of course, This is just a headcanon but I'd love to hear your guys opinions on it.

I recently watched twister and really enjoyed i, but it got me thinking about how cool it would be to see an r rated version of all of that in a Final Destination movie. I think it would be a really interesting opening disaster and has lots of opportunity for some creative deaths. What do you guys think?